Assignment 4 – self assessment

Assignment 4 – self assessment

Looking at the end result of my fourth assignment submission, I summarise in the following table some personal notes in relation with the course’s assessment criteria:

Assessment criteria Personal views
Demonstration of technical and visual skills In general I believe the final selection of photographs continue to demonstrate reasonable levels of competency in terms of framing and composition. This assignment led me to deepen my exploration of techniques and ways of visual presentation that I did not have a great deal of experience with, such as off camera flash illumination, and the modification of artificial light, both in shape and colour. While I am satisfied with the end results in terms of technique at the time of submission, I was left intrigued by some of the results I got (particularly in the picture of the shed door, which I was initially expecting to look a little less natural) and I can see myself revisiting some of the techniques used in future projects.
Quality of outcome I feel generally satisfied with the connection between the various photographs in terms of their theme. Although the end results are not entirely homogeneous in subject and sometimes diverge in  the quality of illumination, I am satisfied that they conform to the main idea of being ordinary, mundane objects that I have attempted to portray under a different light. One of my ideas with this project was to achieve the correct balance between the light falling on the main subjects and that of its surroundings. While in some cases the main flash also provided some degree of fill light for the background, for most pictures my approach could only be attained by increasing ISO, and this inevitably led to some pictures exhibiting relatively high noise levels, which are thankfully not particularly noticeable at the size of the submitted pictures, except perhaps for the second picture, when there is clearly some noise visible on the sky.
Demostration of creativity Leading to the look of the final pictures, I took a number of shots under several combinations of flash, artificial and ambient light, both as part of exercise 4.4 and in subsequent experiments (see for instance exposing for the highlights, combining natural and artificial light and flash in daylight). Ultimately, I believe whatever creativity can be attributed to the final shots comes from that experimenting, which was primarily aimed at finding a look that expressed what I wanted to achieve: giving a platform to the ordinary and the neglected. In this process, the initial ideas came from pictures and photographers mentioned in previous blog entries, but the final look is primarily derived from the empirical process of throwing my subjects under what I believe was a similar light – ignoring in many cases what the original lighting arrangements were – and then changing the conditions until achieving something which hopefully was sufficiently different to stand on its own. In some cases, this involved trying different angles for the flash, in others changing the colour of the flash to try to match that of the ambient light or the subjects.
Context Compared with previous assignments, the theoretical research in this case was particularly limited. I did some initial search work and looked at some of the names mentioned in the course guide, some of which partially influenced the final look of my pictures, but I actually ended up doing a lot of exploratory work with the camera itself, looking at issues such as under exposure, exposing for the highlights, the combination of natural and artificial light and the use of flash to complement available light, prior to deciding which of exercises 4.2 to 4.4 I wanted to explore further. Once I settled on 4.4, I did a bit more of theoretical research, primarily around the names included in an exhibition on flash photography held in the Photographer’s Gallery in London in the early 1980s, and then tried to adjust the techniques used in exercise 4.4 to the look I felt more comfortable with from the photographers I had looked up. In the end, however, I wanted this assignment to be a personal journey of discovery of light and what the camera could do, and this is reflected in the predominantly empirical approach I took to give context to the project.